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A
Seemed promising but... No
So many issues and noise while connected to the computer.
The fact that patch and scene changes trigger on the release of the footswitch is unacceptable and I am not able to play live with it. Also it is not possible to disable looper and tuner resulting to accidentally trigger them while releasing to get next scene/patch. Thats basic functional issues that you should have predicted and program them differently.
DSP is very limited and cannot even add 2 captures in the same chain without lags
Thats so bad since Ampero MP-100 seems so much better than the newer models. I will stick with it.
The fact that patch and scene changes trigger on the release of the footswitch is unacceptable and I am not able to play live with it. Also it is not possible to disable looper and tuner resulting to accidentally trigger them while releasing to get next scene/patch. Thats basic functional issues that you should have predicted and program them differently.
DSP is very limited and cannot even add 2 captures in the same chain without lags
Thats so bad since Ampero MP-100 seems so much better than the newer models. I will stick with it.
11
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AK
Very solid and great sounding multi-effect. The only real downside I would point out is lack of bluetooth connectivity (for backing tracks and preset editting) in this version
1
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P
Good mid-price solution
Massive range of FX and quite easy to use once you figure it out but sheer number of options can be overwhelming. The 'Sound Clone' feature is good but using a clone in your chain limits the amount other FX. I have used mine in conjunction with a Friedman IR-D as a pre-amp in the FX loop and it sounds great through my Orange Pedal Baby 100 into Celestion Creamback 112 cab, sounds a bit digital and processed through my Fender FR-10 but working on that (and have cloned the Friedman pre-amp so it doesn't always need to be connected).
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