Para o conteúdo da página

Mouthpiece for Tenor Saxophone

  • Tip opening: 6 (2.29 mm)
  • Material: Hard rubber
  • Defining influence on the sound of jazz across generations
  • Known from numerous recordings by artists such as Stan Getz, Michael Brecker, Bob Reynolds and Chris Potter
  • Warm, resonant tonal core with sufficient body to ensure consistent stability across the entire range
  • Versatile sound – a mouthpiece that can sound smooth and round in soft passages, then respond with clarity and presence when the music calls for more
  • A well-balanced playing feel thats rich in the low register, and expressive enough to shape phrasing without fighting the mouthpiece
  • A distinctive mouthpiece that offers the player plenty of freedom to shape their own sound
  • Classic ‘Link’ sound for musicians seeking an authentic jazz sound with flexibility
  • Manufactured using a modern hybrid production process based on a collaboration between JJ Babbitt and Theo Wanne
  • Moulded from vulcanised JJ Babbitt hard rubber, providing the foundation for its tonal character
  • Precise finishing and improved process control by Theo Wanne for greater manufacturing consistency
  • Made in USA

Note: Without ligature

  • Disponível desde Julho 2026
  • número de artigo 647807
  • unidade de venda 1 peça(s)
  • Tip Opening 2,29 mm
  • Chamber round
  • Material Hard Rubber
  • Cap No
  • Ligature No
€ 181
Todos os preços incl. IVA
Em stock
1

1 Avaliações de clientes

5 / 5

endereço

som

acabamento

1 Crítica

google translate de
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
M
Besser als erwartet
Mertin4047 09.10.2026
Ich habe dieses Mundstück aus Neugier bestellt, hatte aber keine Erwartungen da die Serienstreuung beim Tone Edge bekanntlich sehr groß ist. Ich wurde aber positiv überrascht. Das Mundstück spricht sehr gut an in allen Lagen. Da es sich so toll spielen lässt werde ich es behalten und kann eine klare Kaufempfehlung dafür geben.
endereço
som
acabamento
0
0
Reportar a crítica

Reportar a crítica