Shure Beta 91A

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Condenser boundary microphone

Combination of Beta 91 and SM 91
Switchable frequency range for bass drums or piano/ voice applications
Polar pattern: half cardioid
Frequency range: 20 - 20,000 Hz
Impedance: 146 Ω
11-52 V Phantom power
SPL: 155 dB SPL max (@ 2500 Ohm)
Sensitivity: -48.5 dBV/Pa
Output: XLR-male
Weight: 470 g

30 dias dinheiro de volta

Thomann garantie de 3 anos

Disponível desde Novembro 2010
número de artigo 256092
unidade de venda 1 peça(s)
Polar Pattern Half Cardioid
Installation No
Condenser Microphone Yes

€ 298

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Shure Beta 91A Bundle

€ 309

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the t.bone BD 500 Beta

460 Avaliações de clientes

5 415 Clientes 4 38 Clientes 3 7 Clientes 2 0 Clientes 1 0 Clientes

4.9 / 5

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EDI 81 24.02.2022

Microfone incrível para captação de Kick IN

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Acredita que esta classificação seja por alguma razão imprecisa ou incaceitável? Indique-nos por favor a justificação na caixa de texto em baixo e se possível o seu endereço de email para eventuais questões.

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Delightful, Versatile Microphone

D Rea 05.08.2020

Absolutely wonderful microphone. I don't go anywhere for work without this (live & studio). Predominantly, I use this mic for kicks and pianos, but also found uses for certain theatre/stage applications. The tight Half Cardioid design makes it ideal for these scenarios.

The cut around 400Hz has come in quite handy on a few occasions with problematic kicks or stage where conditions are not ideal. Pairing this mic in particular with the Beta52 means achieving a particularly accurate picture of a kick. Even without the 52, you'll still achieve a super clean, punchy tone. Predominantly I'll use it internally for Kicks and Grands and have to do very little to achieve top quality results.

There is a very good reason why touring engineers request this mic so often when sending on tech riders to venues.

Very sturdily made but of course with any mic, treat it like it was one of your own children and take care of it.

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Industry standard for kick drum attack and clarity

cmsd 11.04.2026

The Beta 91A is a go-to microphone for capturing kick drum attack with precision. I’ve been using it inside the kick, and it delivers a very defined, clicky attack that sits perfectly in modern mixes.
The low-end is tight rather than overly boomy, which makes it ideal to pair with another mic (like a dynamic outside the kick) for a full, balanced sound. The built-in contour switch is very useful — the scoop setting gives you that modern punch straight away.

The boundary design is extremely practical: just place it inside the kick, no stand needed, and you're ready to go. It also handles very high SPL effortlessly without distortion.

Pros:
-Excellent attack and definition
-Very easy setup (no stand required)
-Handles high SPL without issues
Perfect for modern kick sounds

Cons:
-Not as “full” on its own (works best combined with another mic)
-Requires phantom power

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GREAT for recording, OK for live use…

David S// 23.01.2023

Mostly easy to use and place inside the bass drum. It works great for recording or to use on the bigger live stages, where you may have in ear monitoring and the output speakers are at least 26 feet away.

However, on the smaller live stages where booth monitors and speakers are close to the drums, it is VERY HARD to use it without getting a feedback problem. This have happened so many times live that I’ve completely swished to Shure Beta 52 for live use.

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Shure Beta 91A

Condenser boundary microphone

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Shure Beta 91A

Condenser boundary microphone

Eis o que compraram os clientes que visualizaram este artigo

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