Superlux D112C

I play in a band and use a harmonica in only a few numbers in our sets. At first I played into a microphone on a floor stand. As we don't have a sound engineer and have to adjust our mixer as and when required, we were having problems with feedback and sound levels playing in this way. I then tried unmounting the microphone and playing holding both a standard mic and the harmonica. This was better than previously but was not ideal and often awkward. The Superlux has solved all problems. It's comfortable to hold and we never have any issue with feedback. It's a very solid and well constructed mic and volume can be adjusted on the mic if necessary. Friends who have heard us play have remarked on the sound quality compared to the ways in which I had used a standard (good quality) microphone before. I have nothing negative at all to say about the Superlux and would definitely recommend it.

Really great for vocalists! I always bring it on my studio sessions and invariably if someone wants to use it we have a blast. Particularly good for hooking up vocalists to amps or sticking violins/trumpets etc. into guitar amps or pedals for interesting effects. I've done sessions where it allow the vocalist to do their own dub vocal delays with this, and a Memory Boy.

My only problem with it is it doesn't come with a stand adapter and I couldn't seem to buy one. I know it's a handheld mic, but it's much more versatile than this. It does a lot more cool stuff than just the harmonica into a Fender thing. And anyone worried it wont sound as authentic as the Green Bullet shouldn't. It's rugged and it sounds just as good/bad as the real deal.