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Native Instruments Crosspromo Cyber Deals 2026

Free with your purchase: Native Instruments Effects Series – Mod Pack and AIR Music Technology Hybrid 3 – classic modulation meets next-generation synthesis.

Up to and including 31-12-2026, when you purchase this product, you will receive free Full-version licences for both products:

Native Instruments Effects Series – Mod Pack combines three classic modulation effects – Chorus, Flanger and Phaser – and enhances them with entirely new functions. You’ll enjoy an authentic Vintage character alongside fresh, creative possibilities.

AIR Music Technology Hybrid 3 is a high-resolution virtual synthesizer with two simultaneous parts, each comprising a fully-fledged synthesizer with 3 oscillators. It combines the warmth of analogue sounds with futuristic, digital sound design. With over 1,200 presets, you can rediscover familiar Synth Sounds or create something that nobody has ever heard before.

USB 2.0 Audio Interface

  • 24 In / Out
  • USB-C connection
  • 8 EVO microphone preamps with Smartgain
  • 2 JFET instrument inputs
  • 2 Independent headphone outputs
  • 8 Line outputs
  • 2 Optical inputs
  • 2 Optical outputs
  • Mic Gain: 58dB
  • Multichannel Smartgain function
  • High-resolution LC display
  • Central One-Knob control
  • Channel status display
  • Programmable function key
  • Software mixer with extremely low latency
  • Monitor control
  • Audio loopback
  • Word clock output
  • 24 bit / 96 kHz
  • Dimensions: 355 x 255 x 53 mm
  • Weight: 3 kg
  • Disponível desde Agosto 2022
  • número de artigo 544979
  • unidade de venda 1 peça(s)
  • Recording / Playback Channels 24X24
  • Number of Mic Inputs 8
  • Number of Line Inputs 8
  • Instrument Inputs 2
  • Number of Line Outs 8
  • Headphone Outs 2
  • Phantom Power Yes
  • Number of S/PDIF Connectors 0
  • Number of ADAT Connectors 2
  • Numer of AES/EBU Connectors 0
  • Number of MADI Connectors 0
  • Ethernet 0
  • Other Connectors None
  • MIDI interface No
  • Word Clock 1xOut
  • Max. Sampling Rate in kHz 96 kHz
  • Max. Resolution Rate in Bits 24 bit
  • USB Bus-Powered No
  • Incl. power supply Yes
  • USB Version 2.0
  • Width 350 mm
  • Depth 310 mm
  • Height 50 mm
  • Connection Format USB port Type C
  • Included in delivery Power Cable, USB-C Cable
  • Zero latency monitoring Yes
B-Stock from € 424 disponível
€ 444
Todos os preços incl. IVA
Em stock
1

56 Avaliações de clientes

4.4 / 5

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características

som

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37 Críticas

j
Tested two units and same problem
jbacelar 12.05.2023
I’ve tested two different units and both presented a problem related with clock sync only perceptible with very low audio level.
I’ve returned with no problems. Good credits for Thomann!
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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Ad
AMAZING!!
Amit drummer 06.09.2022
Unbelievable product for its price!!
Been waiting to get one since it was announced, and I couldn’t be happier.
Very very high quality.
We’ll done Audient!!!!!
Great service from Thomann too😉😉😉
All the best and thank you very much!!👍
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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
Sd
When I bought this, it was the only (affordable) game in town...
Spy da Man 13.07.2025
... and I needed a quick replacement for my beautiful, but outdated Focusrite Clarrett 8PreX, which stopped working with my computer/OS.

I needed 24 channels to marry up with my mixing console, and I didn't (still don't) have the money for a UFX , so my choices were limited.

With 8 analogue i/o and two sets of ADAT i/o, on paper the EVO16 ticked all the boxes. However, and this is my fault for not doing deeper research, in the flesh, this unit was not what I wanted it to be.

My main issue is its form factor; it has a rack mounting kit available, which you have to pay for separately, but as is, it's neither full nor half standard rack size, but somewhere in between, and at 10", is much deeper than most gear.

The odd width also leads to my second issue with it, which is that it has the first two combijack inputs on the front, with all of the other inputs and outputs (except the headphone outputs) on the back. If Audient had made the dimensions conform to the standard, they would have had enough space to put inputs 1 and 2 on the back with the rest. They could have duplicated them on the front, like other manufacturers do, and charged a little more without putting off many potential customers, IMHO.

Basically, what I wanted was the yet to exist at the time, ID48, with its more standard form factor, and bypassable mic preamps.

While some will appreciate the 'auto gain' technology the EVO16 provides, it isn't a feature I have much use for personally.

Overall, it performs well, and it got me out of a bind, but with hindsight I would not have bought it for my particular set up. However, it may yet come in handy if I start a mobile recording service, and for those who don't use traditional rack equipment, they may find that my issues are non-issues.
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d
Works for simple applications
dovker 30.08.2023
I used this interface to record an album and it does it's job, but honestly the smart gain is not much use unless you mic up drums. And I constantly have this weird coil winding sound when on quiet sounds. Additionally, 48V phantom translates the electrical sounds to the recording somehow. Great features, mid sound. Build of the interface is OK, buttons seen like they could fall out, because they move around, yet the sides are made from metal.
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