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Mixer

  • Ten-channel mixer
  • With multitrack recorder, audio interface and DAW control functions
  • 12-track recording in WAV/BWF format on SD/SDHC/SDXC cards up to 512 GB possible
  • 44.1 - 48 kHz
  • 16/24-bit
  • One-button compressor for all input channels
  • Switchable low-cut
  • 3-band EQ with adjustable mids for all mono channels
  • Master EQ
  • Overdub recording
  • Punch-in/-out
  • Built-in audio interface for 12 channels (ten inputs plus stereo sum)
  • LC display
  • 12-segment LED level meter
  • Built-in effects processor
  • Switchable phantom power +48 V
  • Includes power supply
  • Dimensions (W x H x D): 343 x 99 x 360 mm
  • Weight: 4.3 kg
  • Suitable protective cover: Art. 497194 (not included)
  • Suitable case: Art. 504823 (not included)

Connectors:

  • Eight microphone/line input combo XLR/6.3 mm jack (channels 1-6, 7, 9 can be used as instrument inputs)
  • Two line outputs: XLR
  • Two sub outputs: 6.3 mm jack
  • Two AUX outputs: 6.3 mm jack
  • Two inserts: 6.3 mm jack (channels 1+2)
  • Footswitch input: 6.3 mm jack
  • 6.3 mm jack click output with tap tempo function
  • Two stereo headphone outputs: 6.3 mm jack
  • MIDI input and output
  • USB
  • Disponível desde Maio 2020
  • número de artigo 483453
  • unidade de venda 1 peça(s)
  • Number Of Tracks 12
  • Simultaneous Recording: Amount Of Tracks 12
  • Effects Yes
  • Storage Medium SD/SDHC/SDXC
  • Phantom power Yes
  • XLR Connectors 8
  • Jack Connectors 8
  • RCA Connectors Yes
  • MIDI Interface 1x In, 1x Out
  • USB connection Yes
  • Digital Connections USB
  • Miscellaneous Connectors Foot Switch
  • Headphone connection Yes
  • USB Yes
  • Recording / Playback Channels 12x12
  • Max.number of input channels 10
  • Microphone Inputs 8
  • Bluetooth Yes
  • Number of Mic Inputs 8
  • 5-pole DIN MIDI Yes
  • Analog Line Inputs 10
  • Number of Line Inputs 10
  • Analog Line Outputs 2x Jack, 2x XLR
  • Instrument Inputs 8
  • Number of Line Outs 4
  • Digital Inputs 0
  • Fader 12
  • Headphone Outs 2
  • Rotary Encoders 12
  • Digital Outputs 0
  • Audio I/O Yes
  • Number of S/PDIF Connectors 0
  • Word Clock No
  • Number of ADAT Connectors 0
  • Transport Function Yes
  • Numer of AES/EBU Connectors 0
  • Footswitch connection Yes
  • Number of MADI Connectors 0
  • Computer interface USB
  • MIDI-interface Yes
  • Other Connectors USB
  • Special Features Recording on SD Card
  • MIDI interface Yes
  • Options -
  • Additional Features Mixer and Multitrack Recorder
  • Max. sample rate (kHz) 48 kHz
  • Max. resolution in bit 24 bit
  • Incl. power supply Yes
  • USB Version 2.0
  • Width in mm 343 mm
  • Depth in mm 360 mm
  • Height in mm 99 mm
  • Included in delivery Power Supply (Tascam PS-M1524), USB Type C to USB Typ A cable, TRRS cable, manual
  • Zero latency monitoring Yes
  • Connection Format USB port Type C
€ 644
Todos os preços incl. IVA
Em stock
Em stock

Este produto encontra-se em stock e pode ser enviado imediatamente.

Informações sobre o envio
1

154 Avaliações de clientes

4.7 / 5

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manuseio

características

som

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102 Críticas

d
Perfeito para pequenos home-studios ou setups ao vivo
danguer 11.09.2023
Se o número de entradas não incomoda, é um dispositivo perfeito.
Som límpo, mixer versátil e fácil de usar.
Como interface funciona como esperado.
É intuitivo na sua maior parte, com a única queixa sendo a complexidade do menu de controlo da DAW integrada.

Simples o suficiente para iniciantes, mas versátil o suficiente para quem já tem mais experiência.

Saliento que o one-knob compressor incluído é verdadeiramente incrível.
manuseio
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som
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google translate gb
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
S
Magic Mix
Stephen662 30.07.2020
'Brilliant build quality' was the first thing I said to myself as I popped the box. Having read the manual back to front many times whilst waiting on delivery, I found that in half an hour I had set up and ready to go - card formatted, click track working, synced to BFD3 and USB audio streaming out of BFD into a pair of channels.

All I can say is that Tascam have really nailed it with this one, and if they put MIDI etc on the 24 track it would be a truly pro workhorse. However, 10 track recording (and 2 master track) are adequate for my needs; primarily used out of my studio to record jam sessions with buddies.

If you want to get really picky then here's the dirt:

1/ Only two insert points (but appreciate the cost implications of putting them on all channels). I must say though a pair of master inserts would have been nice.

2/ Only 2 fx sends. Again a cost issue - also no dedicated simple returns. If you use the built in FX you are good to go, but if you patch in a box then you are going to lose 2 channels for a stereo return.

3/ Tascam must be the master if syncing to other gear or your DAW. Does not worry me.

EVERYTHING else is just brilliant and a lovely sounding machine it is. Tascam have a certain magic, especially with digital gear. Blindfold, you would swear it is analogue, but to be fair its better than that.

Conclusion, money well spent. Great value, simple to use, and all you need to do is RTFM :)
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Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
HP
Class Compliant Great, But...
HDS Productions 15.07.2024
I purchased the Model 12 for two big reasons.

1. To use as class compliant gear with my MPC
2. To be a (dawless) home studio mixer and recorder

First, the Model 12 works very well with the MPC, being able to create separate tracks from the MPC and then mix each one before recording. I also loved the Tascam's ability to do overdub recording. However, when it came time to mix a couple of hardware synths and vocals for output, the unit's limitations became glaringly obvious. Vocals especially mixed very low, even with gain up to a maximum. In my opinion there is absolutely no way to create a completed recording with the Model 12 without a good deal of time and work in a DAW. While this may not be an issue for some, I personally just don't see the point with owning a mixer with such limitations when it comes to music production.

I think this is a good case for 'you get what you pay for', but ask yourself what your expectations and goals are, because apart from natural talent the gear you own and use needs to support where you are trying to get to. And, with that old adage; I did end up switching to an RME audio interface that costs twice as much, but is twice as much and more in superiority.

With that said, there are other audio interface options at lower price points that can do the job from manufacturers like Motu, Arturia and SSL to name a few.
manuseio
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google translate gb
Infelizmente ocorreu um erro. Por favor tente novamente mais tarde.
m
Overall great
markkus 31.07.2021
Pro: Works great stand alone, when recording capabilities do not exceed the available 12 tracks
Con: Not as analog as it looks (like de model 16/24), but not as flexible as it's digital relative (DP24/32); be sure to check how it fits your use-case. (Edit 2021): class compliant for the 12 tracks, not for DAW control, but I don't use this anyway, I use it on Linux.
MTR capabilities are limited to the physical tracks and once you have recorded the track you can only bounce it to a free track, there are no extra tracks like in the DP24. For live use this is no issue, but when trying to layer some parts you could quickly run out of tracks in a stand-alone mode, so be aware of these limits and how they possibly affect your workflow.
It's hard to tell if I would buy it again, I would probably for this price try other options, for now I have not really had an issue I couldn't work around by going outboard, even went as far as adding a mixer/router on the subs and sacrificing two inputs (stereo) for the returns.
My use case for now was aimed at playing and recording music, in future I'd like to test the broadcasting capabilities with e.g. OBS.
manuseio
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som
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